American television, meanwhile, continues to present war as a bloodless sandpit in which the horrors of conflict — the mutilated bodies of the victims of aerial bombing, torn apart in the desert by wild dogs — are kept off the screen. Editors in New York and London make sure that viewers' "sensitivities" don't suffer, that we don't indulge in the "pornography" of death (which is exactly what war is) or "dishonor" the dead whom we have just killed.
Our prudish video coverage makes war easier to support, and journalists long ago became complicit with governments in making conflict and death more acceptable to viewers. Television journalism has thus become a lethal adjunct to war.
